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上世紀(jì)二十年代，白色恐怖時(shí)期，全城封鎖，李一民（王源 飾）臨危受命，孤身擔(dān)起護(hù)送重要人物秘密撤離的重任。但此時(shí)，組織遭到嚴(yán)重破壞，孤立無援，舉步維艱。李一民決定暗中尋求幫助，他一路遇到了老師候少烈（李晨 飾）、工友章貴生（印小天 飾）、同窗丁夢(mèng)華（張雪迎 飾）、許天平（梁靖康 飾）、江岳（此沙 飾）、羅世聞（翟瀟聞 飾）、周文素（李嘉鑫 飾）等早已走上了不同人生道路的昔日舊友，誰值得信任同行？“孤星小隊(duì)”再次集結(jié)，本以為精心布局的撤離計(jì)劃，卻早已籠罩在敵人的天羅地網(wǎng)之下，撤離時(shí)刻，迫在眉睫，把最后一顆子彈留給自己，能否博得一線生機(jī)？
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2024 劇情簡(jiǎn)介： Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.