《消失文明的編年史》劇情簡介
1996年威尼斯電影節(jié)Luigi De Laurentiis獎
1997年西雅圖國際電影節(jié)新導演獎
介紹:這部貌似簡單而帶有記錄風格的影片描繪出巴勒斯坦愛國電影人Elia Suleiman的個人尋根之旅。影片分成兩部分。第一部分記錄下拿撒勒古城中荒謬而寂靜的阿拉伯地區(qū)。第二部分則用一種相對政治化的眼光觀察這個城市,而Elia Suleiman在這部分扮演較為積極的角色。他來到自己的出生地找尋靈感,但他所看到的卻是阿拉伯人民深陷在文化身份危機中的一幅幅凄慘的畫面。最為顯著的一個例子:一位阿拉伯少女想要在自己的城鎮(zhèn)里獲得比傳統(tǒng)婦女更獨立的地位,然而卻因為居住在猶太區(qū)的居民懷有偏見而無法實現(xiàn)。
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2024 劇情簡介: Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.